
The Big Picture
The Fight for the Future of Movies
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Narrated by:
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Timothy Andrés Pabon
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By:
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Ben Fritz
About this listen
The stunning metamorphosis of twenty-first-century Hollywood and what lies ahead for the art and commerce of film
In the past decade, Hollywood has endured a cataclysm on a par with the end of silent film and the demise of the studio system. Stars and directors have seen their power dwindle, while writers and producers lift their best techniques from TV, comic books, and the toy biz. The future of Hollywood is being written by powerful corporate brands like Marvel, Amazon, Netflix, and Lego, as well as censors in China.
Ben Fritz chronicles this dramatic shakeup with unmatched skill, bringing equal fluency to both the financial and entertainment aspects of Hollywood. He dives deeply into the fruits of the Sony hack to show how the previous model, long a creative and commercial success, lost its way. And he looks ahead through interviews with dozens of key players at Disney, Marvel, Netflix, Amazon, Imax, and others to discover how they have reinvented the business. He shows us, for instance, how Marvel replaced stars with “universes”, and how Disney remade itself in Apple’s image and reaped enormous profits.
But despite the destruction of the studios’ traditional playbook, Fritz argues that these seismic shifts signal the dawn of a new heyday for film. The Big Picture shows the first glimmers of this new golden age through the eyes of the creative mavericks who are defining what our movies will look like in the new era.
©2018 Ben Fritz (P)2018 Brilliance Publishing, Inc., all rights reserved.Great book about the entertainment industry
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The best summary of the modern state of Hollywood
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Interesting topic marred by annoying narration
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A valuable perspective on modern Hollywood
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Amy pascal biography
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It is clear Fritz has been seduced by the Hollywood Producers he studied for writing this book (Amy Pascal in particular). He conveys most things Hollywood from their point of view, which is as interesting as it is irritating.
It is clear Fritz has very little respect for Writers, TV, Comic Book Movies, and a variety of other popular genres and feels like there is a massive crisis because things he doesn’t like are popular.
He talks at length in the final summation of the great power of Cinematic visuals in a conventional Cinema, but is blissfully unaware most Cinemas no longer have a projectionist and the only fundamental difference between watching a movie at home or in a Cinema is the Price and the size of the screen. He thinks it’s important to sit a room full of people you don’t talk to and will never talk to, because of Cinema’s conventions. He ignores the fact that social watching occurs on Social Media, but then he doesn’t like social media very much either.
In short, there are some very interesting ideas here, but it’s also drowned out by the Writer’s constant fear of change.
The reader reads the entire Novel like it’s a children’s book. So if you enjoy being patronised for hours on end, this will be right up your street.
I Don’t Like Change
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