Rothko at the Tate
Studies in World Art, Book 68
Failed to add items
Sorry, we are unable to add the item because your shopping cart is already at capacity.
Add to basket failed.
Please try again later
Add to wishlist failed.
Please try again later
Remove from wishlist failed.
Please try again later
Adding to library failed
Please try again
Follow podcast failed
Unfollow podcast failed
£0.00 for first 30 days
LIMITED TIME OFFER
£0.99/mo for the first 3 months
Offer ends April 30, 2025 at 23:59 GMT.
Prime members: New to Audible? Get 2 free audiobooks during trial.
Pick 1 audiobook a month from our unmatched collection
Listen all you want to thousands of included audiobooks, Originals, and podcasts.
Access exclusive sales and deals.
Premium Plus auto-renews for £7.99/mo after 3 months. Cancel monthly.
Pick 1 audiobook a month from our unmatched collection - including bestsellers and new releases.
Listen all you want to thousands of included audiobooks, Originals, celeb exclusives, and podcasts.
Access exclusive sales and deals.
£7.99/month after 30 days. Renews automatically. See here for eligibility.
Rothko at the Tate
Narrated by:
Joe Van Riper
Buy Now for £2.99
No valid payment method on file.
We are sorry. We are not allowed to sell this product with the selected payment method
Pay using card ending in
By completing your purchase, you agree to Audible's Conditions of Use and authorise Audible to charge your designated card or any other card on file. Please see our Privacy Notice, Cookies Notice and Interest-based Ads Notice.
-
Narrated by:
-
Joe Van Riper
About this listen
Rothko is now one of those mythical artists, an icon of 20th century creativity, the central figure in a tragic legend. Which means to say that one is pretty much compelled to agree that everything he did was wonderful, a manifestation of genius. I have to say that I find myself increasingly resistant to this approach.
Some works by Rothko I do in fact respond to, with their glowing blocks of color. Even then, however, I find myself resistant to the suggestion, promoted by the artist himself, that his paintings are somehow to be thought of as devotional objects. Spirituality may have been the aim, but the exact nature of that spirituality always remained cannily undeclared.
©2014, 2017 Cv Publications (P)2017 Cv PublicationsListeners also enjoyed...
