
Native Son
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Narrated by:
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Peter Francis James
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By:
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Richard Wright
About this listen
Brought to you by Penguin.
With a new afterword by Gary Younge.
Reckless, angry and adrift, Bigger Thomas has grown up trapped in a life of poverty in the slums of Chicago. But a job with the affluent Dalton family provides the setting for a catastrophic collision between his world and theirs. Hunted by citizen and police alike, and baited by prejudiced officials, Bigger finds himself the cause célèbre in an ever-narrowing endgame.
First published in 1940, Native Son shocked readers with its candid depiction of violence and confrontation of racial stereotypes. It went on to make Richard Wright the first best-selling Black writer in America.
©1940 Richard Wright (P)1940 Penguin AudioCritic reviews
"[Native Son] possesses an artistry, penetration of thought, and sheer emotional power that places it into the front rank of American fiction." (Ralph Ellison)
"The most important and celebrated novel of Negro life to have appeared in America." (James Baldwin)
The novel resembles that of Albert Camus’ “The Stranger”, though Camus’ novel was written two years later. Both explore the existential themes of freedom, responsibility and isolation. Through the trial of Bigger Thomas, “Native Son” sets out to demonstrate that, while Bigger may have committed the crimes he is accused of, it is the racist society within which he lives, that created the killer in him; the racist society that found him guilty (of murder and rape) even before he committed the crimes. His only advocates are to be found among members of the local Communist Party - Jan, a man of principle, on whom Bigger initially tries to pin the crime, and Mr. Max, an elderly, white Jewish lawyer. It is the latter who defends Bigger in court and by the end of the novel, Bigger has not only confessed his crimes, but has also come to life, confessing his soul and forming a bond of trust and connection with Mr. Max, giving Bigger the one and only meaningful relationship he has ever had.
Bigotry and Alienation
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Famous and I understand why
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I would make it compulsory reading at all schools for the next generation or two and hopefully we can wipe out the parental perceptions which are instilled into the minds of their children to perpetuate generations old latent prejudices that I see all around me still today.
One of ths best books I have ever read.
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As a fan of Shakespeare's tragedies there is something very Shakespearian in how Wright executes this masterpiece. I'm not saying that in a dreary 'great this is two hours long and I don't know what's going on' way, but in a way where you know the author has thought of every plot detail. At the same time, the narrative doesn't try to complicate things, but instead keeps the pace building and draws you in deeper and deeper.
Bigger Thomas is a brilliant character. You want him to do well, but as the plot develops you begin to realise that there really is no hope for him to overcome the racist/communist fearing society he lives in. Even when he is given an opportunity to make something of himself he inevitably has to go on the run, and Wright follows him up until his death which hits us with such a bitter feeling of defeat at the end.
I also loved Peter Francis James' performance for narrating. He does best when he's voicing Bigger, with a masculine tone that suits him. Yet he isn't afraid to put a tone on for other characters, whilst also not becoming too camp it ruins the plot.
I can't recommend this book enough. It's neither intimidating or thoughtless, but rather fierce and beautifully structured. It's not just a book that has lasted these past decades. Actually, I think it's a book that even now will last for a very long time.
A Beautiful Tragedy
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Incredible book brilliantly read
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Brilliant
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A thought provoking book!
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