How to Write a Dynamite Scene Using the Snowflake Method cover art

How to Write a Dynamite Scene Using the Snowflake Method

Advanced Fiction Writing, Book 2

Preview
LIMITED TIME OFFER

3 months free
Try for £0.00
£8.99/mo thereafter. Renews automatically. Terms apply. Offer ends 31 July 2025 at 23:59 GMT.
Pick 1 audiobook a month from our unmatched collection.
Listen all you want to thousands of included audiobooks, Originals, and podcasts.
Access exclusive sales and deals.
Premium Plus auto-renews for £8.99/mo after 3 months. Cancel monthly.

How to Write a Dynamite Scene Using the Snowflake Method

By: Randy Ingermanson
Narrated by: James L. Rubart
Try for £0.00

£8.99/mo after 3 months. Offer ends 31 July 2025 23:59 GMT. Cancel monthly.

Buy Now for £11.99

Buy Now for £11.99

Confirm Purchase
Pay using card ending in
By completing your purchase, you agree to Audible's Conditions of Use and authorise Audible to charge your designated card or any other card on file. Please see our Privacy Notice, Cookies Notice and Interest-based Ads Notice.
Cancel

About this listen

Want to write a dynamite novel?

The secret to writing a dynamite novel is to first write a dynamite scene. Because if you can write one terrific scene, you can write a hundred. And that's a novel.

This is a short book, with just one goal - to teach you the simple principles you can use right now to design a powerful scene before you write it. If you've already written your novel, you can use these same principles to make each scene better.

About the book

How to Write a Dynamite Scene Using the Snowflake Method will give you the power tools you need to write scenes that move your reader's emotions.

You'll learn:

  • The one thing your reader most desperately wants. And why.
  • How to decide which character should have the point of view.
  • The two kinds of scenes designed to give your reader a powerful emotional experience - and how to know which to use.
  • Five ways to test that your lead character's goal in each scene is perfect.
  • How to end every scene so it leaves your reader wanting more.
  • Why dilemmas are good, and how to know when they're ruining your story.
  • Four ways to know that your character's decision will drive your story forward.
  • How to know when a scene is broken - and how to fix it.
©2018 Randall Ingermanson (P)2018 Randall Ingermanson
Entertainment & Performing Arts Film & TV Screenwriting Emotions Advanced Fiction Writing

Listeners also enjoyed...

How to Write a Novel Using the Snowflake Method cover art
Why Does the Screenwriter Cross the Road? cover art
Super Simple Story Structure: A Quick Guide to Plotting and Writing Your Novel cover art
Story Genius cover art
The Secrets of Character cover art
Save the Cat! cover art
The Emotional Craft of Fiction cover art
How to Write Your First Novel: The Stress-Free Guide to Writing Fiction for Beginners cover art
Self-Editing on a Penny cover art
The Secrets to Creating Character Arcs cover art
Story Pitch: The How To Guide for Using a Pitch to Create Your Story cover art
Big Podcast cover art
Super Structure cover art
Sooner Safer Happier cover art
Machine Learning for Beginners cover art
Story Structure: The Key to Successful Fiction cover art
All stars
Most relevant  
This feels like a really great essay that's been stretched into a book. The core principles are fascinating but could easily be summarised more succinctly. I couldn't understand the necessity to use three examples from published works for each topic, when one would have sufficed. There is one concession towards the end of the book that writing isn't 'painting by numbers' which seems at odds with the rest of the book's tone. The performance is terrible. You can hear where the narration was recorded at different times/rooms and I had to check that it wasn't text-to-speech software that had been used to narrate.

Overall I would probably have been better off studying Randy's website than sitting through three and a half hours of this audiobook.

Could be Condensed

Something went wrong. Please try again in a few minutes.

I choose to read this book, because it was a subject I wanted to learn more about, and I was attracted by the title. However, the person they chose to read the text, managed to make it sound like he was reading a phone book or a scientific journal. I kept putting the book down, as I just couldn't get past the reader's bland and almost disinterested voice... I'm sure a reader with a a vibrant voice that sounded like he or she was engaged with the task, would have encouraged me to listen to the end... I will keep trying, but maybe do it in short bursts...

I wanted to like this book

Something went wrong. Please try again in a few minutes.