
Devil's Day
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Narrated by:
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Richard Burnip
About this listen
'The new master of menace' Sunday Times
A blizzard a century ago has passed into fable in the Endlands. Trapped by the snow, the residents of the valley found themselves at the mercy of the Devil, who brought death and destruction before being driven back to the moors.
Now, the three farming families of the Endlands face a new test. The patriarch of the community, the Gaffer, has died and his grandson, John Pentecost, must decide if he will return and work the land in his grandfather's stead. He feels the pull of duty, loyalty and tradition: obligations that his pregnant wife, Kat, finds hard to understand as an outsider. And as the celebrations of the Devil's exile draw near, she realises that there is a darkness in this place which cannot be repelled.
BOOK OF THE YEAR IN THE TIMES, SUNDAY TIMES, FT, METRO AND MAIL ON SUNDAY
'A work of goose-flesh eeriness' The Spectator
Critic reviews
Incredibly atmospheric
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Horror springs up when you least expect it
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Andrew Michael Hurley’s first novel The Loney (reviewed by me here on 17/12/15) won the Costa First Novel Award: Devil’s Day is a distinctive second novel .
John Pentecost has returned ‘home’ to the small community of struggling small-holders on the Lancashire uplands for the funeral of his grandfather known as The Gaffer. Accompanying him is his pregnant wife Kat, a complete outsider amongst the tough, superstitious and ungiving extended families. John wants to resign from his teaching post and stay to help his stubborn, ageing father keep the farm of his ancestors going, whilst all Kat wants is to escape back home.
The land with its moors, crags and water, its sheep, deer and savage roaming dogs, is both isolated and dangerous, the Devil’s lair. It’s also a powerful protagonist. Another presence is the abattoir in the valley into which local lads follow their fathers ‘like pigs to the killing floor’. Ramifications of slaughter thread through the whole story with gothic noir themes of devil tales pursued partly through the character of the strangely and unsettlingly gifted girl Grace always fretting for her vanished father.
Very dark secrets about The Gaffer and about John himself are teased out, plot lines are constantly absorbing and surprising amidst elegantly controlled drama and tension. It’s thick with rumour and folklore all firmly rooted in ‘normal’, ordinary life, and eventually there is hope and triumph of a kind. Hurley’s writing is exceptionally good. The hostile landscape, birds, trees, animals and the farming in all its physical rawness are vividly created. Hurley has a great eye for beauty too – the ‘diphthong of the buzzard’; the ‘butterscotch belly of the kestrel’.
As in The Loney, the constant flashbacks are no doubt clearer on the page than they are when listening, which can be confusing. The narrator Richard Burnip is first-rate and captures all the moods of the varied narrative including John Pentecost’s stolidity and a wide range of accent, intonation and characters of all ages, including women.
Just get listening!
The Devil's Own Country?
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It is beautifully narrated, with a superb range of distinct character voices that could not be bettered if this were a full cast production. I will certainly be revisiting it again soon.
disturbing & profound
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Slow burn - creepy but too subtle?
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Brilliant, Emerdale Farm, by Stephen King.
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Excellent folk horror
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Excellent again
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Superb all round
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Creepy and moving
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