
Complicit
Failed to add items
Add to basket failed.
Add to wishlist failed.
Remove from wishlist failed.
Adding to library failed
Follow podcast failed
Unfollow podcast failed
Buy Now for £14.99
No valid payment method on file.
We are sorry. We are not allowed to sell this product with the selected payment method
-
Narrated by:
-
Clare Corbett
-
By:
-
Nicci French
About this listen
Bonnie has spent the summer rehearsing with a band to play at a wedding. It was supposed to be fun, but the band members gradually find their friendships falling apart. What was meant to be fun turns deadly as lovers betray one another, passions turn murderous, and friendship itself becomes a crime. Everyone tells lies. But who is prepared to tell the truth to uncover a murderer?
©2009 Joined-Up Writing (P)2010 WF Howes LtdA strange tale of murder
Something went wrong. Please try again in a few minutes.
Loved it
Something went wrong. Please try again in a few minutes.
Fantastic narrator
Something went wrong. Please try again in a few minutes.
Captivating
Something went wrong. Please try again in a few minutes.
A complex thriller with twists and turns
Something went wrong. Please try again in a few minutes.
great
Something went wrong. Please try again in a few minutes.
Disappointing
Something went wrong. Please try again in a few minutes.
However, the narrator's style doesn't appeal to me, although that is a matter of personal opinion, of course. Others may love it. The narrator finds it necessary to differentiate each character by a different regional accent, so that we do a virtual tour of the British Isles in the course of the story. This is all the more incongruous as the narrator herself, who is also the main character, has a pretty standard middle-class accent, which makes one wonder why she isn't hanging out with people who sound a bit more like herself. (Unfortunately this is not apparent from the sample, which is all done in the narrator's own accent.) Annoying, too, is her insistence on assuming deep voices of one kind or the other for the men, which frankly makes most of them sound like gormless louts. It really isn't necessary: if the story is reasonably well written (as NIcci French's certainly are), it is quite possible to tell who is speaking without all this signalling from the narrator. Please, narrators, just read us the story; don't feel compelled to act it.
A good story, marred by the narrator's style
Something went wrong. Please try again in a few minutes.
Complicit
Something went wrong. Please try again in a few minutes.
Not impressed
Something went wrong. Please try again in a few minutes.