
Amsterdam
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Narrated by:
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Adrian Scarborough
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By:
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Ian McEwan
About this listen
Winner of the Booker Prize 1998.
Brought to you by Penguin.
On a chilly February day two old friends meet in the throng outside a crematorium to pay their last respects to Molly Lane. Both Clive Linley and Vernon Halliday had been Molly's lovers in the days before they reached their current eminence, Clive as Britain's most successful modern composer, Vernon as editor of the quality broadsheet The Judge. Gorgeous, feisty Molly had had other lovers too, notably Julian Garmony, Foreign Secretary, a notorious right-winger tipped to be the next prime minister.
In the days that follow Molly's funeral Clive and Vernon will make a pact that will have consequences neither has foreseen. Each will make a disastrous moral decision, their friendship will be tested to its limits and Julian Garmony will be fighting for his political life.
©1998 Ian McEwan (P)2019 Penguin AudioWe never found out who Molly was. The characters are interesting, but they just end up being pointless. It's almost as if the author got halfway through the book and then decided he'd had enough and finished it. Goodness knows why this is a Booker Prize winner!
Disappointing
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Good Read, Excellent narration
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Beautifully written
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Meh
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Beautifully written…….obviously as you would expect from this author.
Very clever story line……ditto as above!
However I was glad to finish it.
Just didn’t enjoy it. I found all the characters loathsome.
It made a change though to have no empathy for anyone in a book. This may have been the desired effect by the author.
Always an interesting author
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Audible tech issues spoilt listening
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What I like about McEwan's novels is the well drawn characters, their journey and the twist turning plots that would not be out of place in a thriller. He is consistently good, and I have yet to read/listen to a bad McEwan. Very highly recommended and packs so much into a very short piece.
A GREAT NOVEL FROM A GREAT WRITER.
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It’s a shame because he writes excellently and is a natural storyteller but this would have been more enjoyable as a long short story stripped of the look-at-me internal monologues that won it the Booker prize.
The main characters are unlikely and unlikeable and it opens with the funeral of the only sympathetic character the woman all three have once partnered.
The inner dialogue portraying the mental anguish of the composer in the throes of composition quickly becomes both tedious and pretentious. Thank God for the Audible 30 second skip forward button.
Slight story, padded out with stretches of overblown ‘literary’ writing and a ridiculous ending.
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Tedious to the extreme.
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